Tuesday, August the 10th, 2010
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“The Fatal Dowry has been cobbled, I see, by some purblind ultra-crepidarian -McCready's friend, Walker, very likely; but nevertheless, I maintain 'tis a good play, and might have been rendered very effective by docking it of the whole fifth act, which is an excrescence,—re-creating Novall, and making Beaumelle a great deal more ghost-gaping and moonlightish. The cur-tailor has taken out the most purple piece in the whole web—the end of the fourth Act—and shouldered himself into toleration through the prejudices of the pit, when he should have built his admiration on their necks. Say what you will, I am convinced the man who is to awaken the drama must be a bold trampling fellow, no creeper into worm-holes, no reviver even, however good. These reanimations are vampire-cold. Such ghosts as Marloe, Webster &c. are better dramatists, better poets, I dare say, than any contemporary of ours, but they are ghosts; the worm is in their pages; and we want to see something that our great-grandsires did not know. With the greatest reverence for all the antiquities of the drama, I still think that we had better beget than revive; attempt to give the literature of this age an idiosyncrasy and spirit of its own, and only raise a ghost to gaze on, not to live with—just now the drama is a haunted ruin.”
Thomas Lovell Beddoes (1803–1849), letter to Thomas Forbes Kelsall, 11 January 1825