Sunday, February the 12th, 2017
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From his banishment in a pompous land, Mike Jennings writes to suggest that I exhume the piece Dim Tyrant, posted here in 2010. “The dim tyrant, Crepuscus VIII, would seem very relevant all of a sudden,” says Mr Jennings, “Given his, quote, fateful combination of childish whimsy and an inability to string together a coherent sentence, unquote.” What POTUS could he possibly be thinking of? Anyway, here is the piece, which does seem, at least in its earlier passages, spookily prophetic.
Assessing the career of the tyrant king Crepuscus VIII, it is hard to avoid the conclusion that he was excessively dull-witted and dim. There is a plethora of anecdotage, from courtiers and palace leeches, revealing that the king was rarely able to answer simple questions such as “What part of the body sits atop the neck?”, “How many angels can dance upon the head of a pin?” or “Who won the 1953 FA Cup Final?”
And yet this atrociously stupid man ruled over a mighty kingdom for many years, his hands steady at the helm though his mind was doolally. So, dim as he was, he has much to teach us about the craft of kingship, and indeed of tyranny, if we consider tyranny a craft. For let there be no doubt that his reign was tyrannical.
“In the case of Crepuscus VIII,” wrote the historian Sagely, sagely, “we find a fateful combination of childish whimsy and an inability to string together a coherent sentence. Thus it was that his henchpersons invariably misunderstood his ukases, but hurried to fulfil them come what may.” Sagely gives as an example the occasion when the tyrant king's whim was to burn down every barn in the land. But so muddled and mangled was the manner in which he gave the command that his Royal Barn Burner mistakenly put a pot-belled pig in charge of the palace treasury instead. As might have been expected, the pig spent every last golden coin on swill, and not a barn was burned to the ground. Fortunately, Crepuscus VIII was so dim that he did not realise what had happened, nor why, and he retired to his boudoir to gaze at the ceiling, thinking it was the vault of heaven.
One could multiply such flimflam until the cows come home, and indeed there are many amusing—and sometimes alarming—books which cobble together hundreds of instances of Crepuscus VIII's imbecility. I want to take a slightly different tack, however. The thing that has always fascinated me about the tyrant king is not his breathtaking dimness but his dinner jackets.
Dinner was of supreme importance at the court of Crepuscus VIII. Whatever else was going on, at four o' clock sharp every day, the king would sweep into his banqueting hall and sit down at his banqueting table, at which would be gathered all sorts of banqueting companions. In spite of his dimness, the king liked to be entertained during dinner by philosophers, scientists, novelists, artists, actors, clowns, jugglers, pamphleteers, scruffily-bearded film directors, engineers, podcast maestros, deep sea divers, chefs, snipers, ornithologists, sundry persons with metal plates in their skulls, magicians, mountaineers, ex-Beatles, priests, anthropologists, cartographers, architects, mesmerists, and, if he was available, Rolf Harris. It is doubtful if any of the high-flown table talk penetrated the king's dull-witted brain, but he sat there, a fork in each hand (he never used a knife), beaming, and resplendent in his dinner jacket of the day.
There were seven of these jackets, one for each day of the week, and the king cut quite a dash in all of them. Monday's was made of crimplene and cardboard, with golden stars and ribbons and a coathanger embedded in it. Tuesday's was of plain burlap sacking, adorned with coal dust and grease. Wednesday's was a gorgeous embroidered flapping wonder. Thursday's was satin, boxy and black. Friday's was knit from strands of a rare and stinking wool, shorn from rabid sheep, tie-dyed like some hippy shawl, surrounded by an aura invisible. Saturday's was of classic cut but frayed at the cuffs, with dangling bells. Sunday's was somehow a blur, as if the king was vibrating, or on another plane just beyond human apprehension. Whatever day of the week it was, whichever dinner jacket he was wearing, the tyrant king ate sparingly, birdseed and millet mostly, accompanied by sips of lukewarm water from the palace spigot.
Today the dinner jackets can be found hanging in display cases in a jolly little museum hidden away in one of the less salubrious faubourgs of Pointy Town. I exhort you to pay a visit, nay, repeated visits. Study the jackets, now caked with dust, hear the echoes of all that banqueting table babbling, take away with you a souvenir packet of Tyrant King's Birdseed®, relive the days when Crepuscus VIII reigned over us, dim and tyrannical and cutting quite a dash.
The part of the body atop the king's neck, by the way, was his head.
Hooting Yard on the Air, May the 13th, 2010 : “Tiny, Lethal” (starts around 22:02)
Hooting Yard on the Air, March the 2nd, 2017 : “On And On And On” (starts around 23:32)